The production on this Bogucki resin has been fairly intense and time consuming, but all the layering and haring is slowly coming together. I decided to document the production on this piece so you could see exactly how some of these pieces transform.
The first layers are primarily pastels (or dry pigments) and layers of thin acrylics. The rest of the work is all acrylic.
Mapping out the pinto markings
before the dappling is added.
Several layers added for the dapples.
Close up of hairing, color and dappling
all slowly coming together.
Saturday, July 27, 2013
"By the Moonlight II"
Graphite, Watercolor and Acrylics on Paper.
The last two days found me not only finishing up two lovely resins, but being extremely inspired by the enormous activity at my bird feeders. There have been tons of little Sparrows enjoying the seed in the feeders and this morning I took the opportunity to try and sketch them out as they ate.
Although I prefer to sketch gesture drawings in charcoal I couldn't resist an Elmers Paintables pen just sitting on the counter. One from my son's art supply. I may have to raid his desk to see what other cool "kid" stuff he's accumulated.
The frame I was able to obtain from the dumpster most recently has a new look now. On it I've fully completed the acrylic painting of the landscape I saw one early evening while driving one of the country roads. I wish I could have taken more photos of the progress toward the end of this painting, but I was far to inspired to stop once I started.
If you missed the first part of this painting in progress you can find it here: Inspired.
Seriously, I need a big easel now.
Working on the floor was tiring.
The painting got away on me
at one point but I saved it.
Fleshing in more tree trunks
before covering them with branches.
"On The Way to Hillside"
Acrylic on Masonite
28" x 22"
NFS
Sunday, July 21, 2013
"By the Moonlight"
Acrylic, Graphite and Watercolor on paper.
Since Breyerfest is happening this week I thought it would be nice to have a "how-to" painting themed post for the model horses.
I get asked quite often how I paint the horses using "mixed media" and I decided to visually document the painting process of this foal into a bay. She'll eventually be given white markings which will render her a sabino.
Slowly adding highlights using acrylics.
Another view of the acrylic work.
Pastels and pigments are then used along the
top line and blended into the acrylic work.
A small amount of water soluable oils are then
used for more shading.
More shading and more pigments till
the right color is achieved.
Color is finished. White markings can then be
added on top of the color.
"The Bully"
Graphite, Watercolor, Acrylics and
Decoupage on Watercolor paper.
Yes, more fortune cookie art this week. I absolutely couldn't resist creating something from this fortune when I opened my cookie up and saw my fortune. I certainly will try not to panic.
A peek inside an artist's studio and all that happens during the creative process of a regular day. My primary focus is on equines, but I love keeping my hands busy with illustrations and clay too. Join me daily, won't you?